Michelle Bigenho: Division III
If you have never heard of "Division III," you might want to refer to with the Hampshire College webpage. If you are well-versed in the Divisional system, are you forming a Division III committee?
The following list should give you a general idea of the kinds of projects for which I have formed, or am forming part of a Division III committee.
"Country Music and the Music Industry in Nashville, Tennessee: The Confused Identity of a Genre in a Culture of Commerce," by Danny Holt
"Webs of Transformation: A Study of Chancay Laces at the Tucson Museum of Art," by Paloma Parra
"Touching Terror: Confronting and Healing Political Violence in the Body and Society," by Sarah Greenfield
"Fat Beats, Dope Rhymes, and Thug Lives: Youth, Politics, and Hip Hop Culture in Dakar, Senegal" by Ben Herson
"YATAMA and Politics among the Miskitu of Nicaragua: 1979-2000," by Amy Moses
"An Exploration of Cuban Academic Perspectives Concerning Recent Economic Reform," by Devon Chaffee
"Needleless Harm: The Politics of Needle Exchange" by Nancy Worthington
"Culture, Politics, and Marketing of Human Growth Hormone," by Naomi Azar
"Art (In)Appropriation: Identity and Protest in Indigenous Australia," by Joshua Cohen
"The Prison Industry in Southern Appalachia," by Amelia Kirby
"Ascending the Royal Pavilion: Music and Identity in the Khmer-American Community of New England," by Sean Norton
"The Discourses of Popular Music in Mali," by Christopher Martin